Zhou Shiyan
Zhou’s research interests focus on the intersection of image studies, media theory, and cultural criticism, with particular attention to the theory and creative practice of aesthetic avant-garde based on modernity from the second half of the 19th century onwards. She advocates that art, technology, and audience should be studied as three pillars of heterogeneity when it comes to art history and art criticism, with an emphasis on reinterpreting the unfinished plans of modernism and aesthetic avan